"If one would try looking for comparisons that best describe Żuławski's sensibility, it would probably be wisest to position him mid-way between and Ingmar Bergman. For all his love of cine-hyperbole, which often makes his movies feel like mere strings of 'grand' sequences, Żuławski doesn't share DePalma's slickness - or his heartlessness, for that matter. Instead of reducing his cinema to formal pyrotechnics, Żuławski remains deeply engaged with the secrets of the human soul, which he perceives as being forever torn apart by violent contradictions. In that alone, he's a deeply romantic director: a passionate explorer of what's most self-destructive about us. And yet, one feels him strive for an elation that would prove redemptive enough to help us carry on despite our deeply divisive desires. Even if "Possession" was once described as "a movie about a woman who fucks an octopus", there's no mistaking the fact that deep inside, Żuławski's cinema is all about searching for grace."